Essec\Faculty\Model\Contribution {#2216
  #_index: "academ_contributions"
  #_id: "1287"
  #_source: array:26 [
    "id" => "1287"
    "slug" => "gouvernance-et-performance"
    "yearMonth" => "2008-12"
    "year" => "2008"
    "title" => "Gouvernance et performance"
    "description" => "TARONDEAU, J.C. (2008). Gouvernance et performance. <i>Revue Française de Gestion</i>, 188(34), pp. 239-269."
    "authors" => array:1 [
      0 => array:3 [
        "name" => "TARONDEAU Jean-Claude"
        "bid" => "B00000491"
        "slug" => "tarondeau-jean-claude"
      ]
    ]
    "ouvrage" => ""
    "keywords" => array:6 [
      0 => "Autonomie"
      1 => "Gouvernance"
      2 => "Loi de Baumol et Bowen "
      3 => "Opéra National de Paris"
      4 => "Performance artistique "
      5 => "Performance économique"
    ]
    "updatedAt" => "2020-12-17 17:55:06"
    "publicationUrl" => null
    "publicationInfo" => array:3 [
      "pages" => "239-269"
      "volume" => "188"
      "number" => "34"
    ]
    "type" => array:2 [
      "fr" => "Articles"
      "en" => "Journal articles"
    ]
    "support_type" => array:2 [
      "fr" => "Revue scientifique"
      "en" => "Scientific journal"
    ]
    "countries" => array:2 [
      "fr" => null
      "en" => null
    ]
    "abstract" => array:2 [
      "fr" => "L'Opéra de Paris depuis sa création en 1669 jusqu¿à nos jours a toujours été dépendant de l'état.. Mais cette dépendance a pris des formes diverses depuis le contrôle autocratique de Napoléon jusqu'à da relative indépendance des directeurs entrepreneurs du 19ème siècle. Un modèle simple semble lier le niveau des performances de l'opéra avec le degré d'autonomie de l'institution vis-à-vis des tutelles publiques. Cette explication des performances doit être complétée par l'évolution des conditions d'environnement. En particulier, la loi de Baumol est vérifiée sur longue période. Après les gains de productivité obtenus par l'augmentation de taille de l'Opéra Bastille, on peut s'attendre à de nouveaux besoins de financement publics."
      "en" => "The Paris Opera House since its creation in 1669 up to present days has always be dependant on the state . But this dependency has taken different forms from the Napoléon's autocratic control to the relative autonomy of the "entrepreneur" of the 19th century. A simple model seems to link the Paris Opera's performances with the institution's autonomy from public authorities. Further explanation lies in the Opera's integration into the economic and technological environment. In particular, the Baumol's law is verified over a long period of time. After productivity gains due to the larger size of the Bastille auditorium, the Paris Opera may face new needs for an increase of public funds."
    ]
    "authors_fields" => array:2 [
      "fr" => "Management"
      "en" => "Management"
    ]
    "indexedAt" => "2024-11-21T19:21:45.000Z"
    "docTitle" => "Gouvernance et performance"
    "docSurtitle" => "Journal articles"
    "authorNames" => "<a href="/cv/tarondeau-jean-claude">TARONDEAU Jean-Claude</a>"
    "docDescription" => "<span class="document-property-authors">TARONDEAU Jean-Claude</span><br><span class="document-property-authors_fields">Management</span> | <span class="document-property-year">2008</span>"
    "keywordList" => "<a href="#">Autonomie</a>, <a href="#">Gouvernance</a>, <a href="#">Loi de Baumol et Bowen </a>, <a href="#">Opéra National de Paris</a>, <a href="#">Performance artistique </a>, <a href="#">Performance économique</a>"
    "docPreview" => "<b>Gouvernance et performance</b><br><span>2008-12 | Journal articles </span>"
    "docType" => "research"
    "publicationLink" => "<a href="#" target="_blank">Gouvernance et performance</a>"
  ]
  +lang: "en"
  +"_type": "_doc"
  +"_score": 9.274754
  +"parent": null
}